HamletHamlet, and then dismisses his importance (“No!

Which Shakespearean character is mentioned in Eliot’s The Love Song of J. Alfred Prufrock?

Aside from Dante, the poet whom Eliot loved most was Shakespeare. So here’s a Shakespeare reference. In Hamlet, the title character is an indecisive chap, much like Prufrock has been for most of the poem.

Why does Prufrock refer to Hamlet?

Prufrock resembles Hamlet in his indecision, in his ineffectuality, in his incapacitation by overthought, in his sensitivity to the eyes of those others for whom he must “prepare a face,” in his awareness that his auditor is prying him for information, examining his expression as her “hands . . . lift and drop a

What poet does Eliot reference in the beginning of The Love Song of J. Alfred Prufrock?

poet Dante Alighieri

The epigraph of this poem is a six-line quotation from Canto 27 of the Inferno by the Renaissance Italian poet Dante Alighieri. And no, Eliot doesn’t translate it out of the Italian, which is the kind of stunt that makes people think Eliot is a snob.

When Prufrock says that he is at best an attendant lord which Shakespearean characters is he referring to?

In the final section of the poem, Prufrock rejects the idea that he is Prince Hamlet, suggesting that he is merely “an attendant lord” (112) whose purpose is to “advise the prince” (114), a likely allusion to Polonius — Polonius being also “almost, at times, the Fool.”

What does Michelangelo represent in The Love Song of J. Alfred Prufrock?

This fear was illustrated using the lines “In the room the women come and go / Talking of Michelangelo”. This allusion to Michelangelo shows that the women in the poem are well-cultured. This intimidates Prufrock, as he feels that he’s not suitable enough compared to Michelangelo, a renowned artist [2].
 

Why does Prufrock mention Michelangelo?

Significance in the poem: Prufrock feels that women engage in conversations about cultural figures like Michelangelo to show their erudition and cultural superiority. The lines “In the room the women come and go / Talking of Michelangelo” are also similar to Jules Laforgue’s work.
 

What kind of character is Prufrock?

Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world’s eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S.

What does yellow symbolize in The Love Song of J. Alfred Prufrock?

In an article published in The Bulletin of the Rocky Mountain Modern Language Association, John Hakac argues that the yellow fog in the first section of “The Love Song of J. Alfred Prufrock” is a symbol for love itself, and therefore a significant driving force of the poem.
 

How does Prufrock differentiate himself from Hamlet?

” He believes that he lacks the passion and gravitas of Shakespeare’s famous prince. He is ”deferential,” ”cautious,” and ”obtuse” not deserving of more than a few lines. From his perspective, this is not a sign of personal failing; he was never meant to be like Hamlet.

What character from Hamlet does Prufrock indirectly compare himself to?

The Love Song of J. Alfred Prufrock: Symbols True or False

1.	What animal are the streets repeatedly compared to? -> A cat True False
4.	What sea creature does Prufrock compare himself to? -> A mermaid True False
5.	What character from Hamlet does Prufrock indirectly compare himself to? -> Polonius True False

How does Prufrock differentiate himself from Hamlet?

” He believes that he lacks the passion and gravitas of Shakespeare’s famous prince. He is ”deferential,” ”cautious,” and ”obtuse” not deserving of more than a few lines. From his perspective, this is not a sign of personal failing; he was never meant to be like Hamlet.

What were Eliot’s views on Shakespeare?

In the essay, Eliot notoriously deems Shakespeare’s most famous tragedy an “artistic failure,” maintaining that the play represents a “primary problem,” and that it contains certain weaknesses as a whole.