Holding a violin against the hips?

Historical Perspectives

Violin playing techniques have evolved over the centuries, with different schools of thought regarding the proper way to hold the instrument. Two main approaches have emerged: the “chin off” and “chin on” methods.

• The “Chin Off” Approach

  According to historical sources, the “chin off” approach suggests resting the violin just below the collarbone. Advocates of this technique argue that it allows for greater freedom and flexibility in the upper body, promoting a more relaxed and natural playing posture.

• The “Chin On” Approach

  On the other hand, the “chin on” approach involves holding the violin firmly with the chin. Proponents of this method argue that it offers better stability and control, allowing for more precise bowing and left-hand technique.

Sound and Technique Considerations

In modern violin playing, holding the violin against the hips is not a commonly practiced technique. This is primarily due to sound and technique considerations.

• Limited Sound Control

  Holding the violin against the hips may limit the player’s ability to produce a shaped sound. The traditional method of holding the violin between the shoulder and chin allows for better control over the bowing motion, resulting in a more precise and expressive sound.

• Restrictions on Vibrato

  Holding the violin against the hips can also hinder the effective use of vibrato. Vibrato, a technique that adds warmth and richness to the sound, relies on the freedom of movement in the left hand. When the violin is not securely held between the shoulder and chin, the range and quality of vibrato can be compromised.

• Challenges in Shifting and String Crossing

  Shifting and string crossing, essential techniques in violin playing, can be more challenging when the violin is not held in the traditional position. The stability provided by the chin and shoulder support allows for smoother transitions between positions and strings, facilitating accurate intonation and seamless playing.

In conclusion, while historical perspectives may present alternative approaches to holding the violin, modern violin playing techniques predominantly advocate for the traditional method of holding the instrument between the shoulder and chin. This position offers greater control, sound production, and technical possibilities, enabling violinists to achieve their full expressive potential.

Sources

• A Check List to Develop Excellent Violin Posture and Position
• Traditions of Baroque Violin Playing – Tradition
• How to Hold the Violin (from all sides) | Violin Lounge TV #368

FAQs

Is holding the violin against the hips a common technique in modern violin playing?

No, holding the violin against the hips is not a commonly practiced technique in modern violin playing.

What are the historical perspectives on holding the violin?

Historically, there are two main approaches to holding the violin: the “chin off” and “chin on” methods. The “chin off” approach suggests resting the violin just below the collarbone, while the “chin on” approach involves holding the violin firmly with the chin.

What are the advantages of holding the violin between the shoulder and chin?

Holding the violin between the shoulder and chin allows for better control, sound production, and technique. It provides stability, facilitating precise bowing and left-hand movements.

How does holding the violin against the hips affect sound production?

Holding the violin against the hips may limit the player’s ability to produce a shaped sound. The traditional position between the shoulder and chin offers better control over the bowing motion, resulting in a more precise and expressive sound.

Can holding the violin against the hips affect the use of vibrato?

Yes, holding the violin against the hips can hinder the effective use of vibrato. Vibrato relies on the freedom of movement in the left hand, which can be compromised when the violin is not securely held between the shoulder and chin.

Does holding the violin against the hips make shifting and string crossing more challenging?

Yes, holding the violin against the hips can make shifting and string crossing more challenging. The stability provided by the chin and shoulder support in the traditional position allows for smoother transitions between positions and strings, facilitating accurate intonation and seamless playing.

Are there any alternative techniques to holding the violin between the shoulder and chin?

While there are historical perspectives that advocate for alternative techniques, modern violin playing techniques predominantly endorse the traditional method of holding the violin between the shoulder and chin.

Is it important to find a comfortable and personalized violin hold?

Yes, finding a comfortable and personalized violin hold is important. Each violinist may have unique physical characteristics and playing styles that require adjustments to the traditional position. It is essential to experiment and find a hold that promotes comfort, control, and sound production.