How to judge a mix, on e.g. muddiness and balance?

How do you know if my mix is muddy or?

The word “muddy” is thrown around all the time when mixers talk about too much unwanted sound clashing. So, what do they mean by a muddy mix? Essentially, if your frequencies are fighting, the master audio is peaking, nothing is popping, and everything sounds distorted, you’re dealing with a muddy mix.

How do you know if a mixture is balanced?

A balanced mix (or flat, if you prefer) usually has a full range of frequencies more or less hitting 0dB on an FFT reader. You can go -/+3dB around it, but keeping it around 0 is the best. For electronic music, it’s pretty normal to have the low end sticking out by about +3dB though.

How do you judge a good mix?

some mixers do work loud.

4 Answers

  1. Listen to reference songs. Pick a set of professionally produced songs that are similar to whatever you are mixing.
  2. Use visual aids. This is specially useful if you don’t trust your listening environment (ears, speakers, room, etc).
  3. Listen your mix through many different systems.

How do you find the balance of a mix?

When making your mix more balanced, use a frequency and image analyzer to check if your mix is within a reasonable range. Additionally, you can equalize your kick and bass’s fundamental frequencies, use various compression techniques, and equalize using reverb reflections to make your mix balanced.

What makes a mix sound muddy?

A muddy mix is a mix where you have overlapping frequencies that clash with each other making it difficult to hear all the individual elements in the track. There are numerous factors that affect the clarity of your track. One common cause of muddiness is using sounds that have frequencies that are imbalanced.

Why do my mixes sound so muddy?

The most common part of a mix that gets muddy is the 200-500Hz area. Fixing it is as easy as carving out a bit of space in these frequencies. Go back to your EQ insert on the tracks that are still sounding a bit muffled. Select the frequency range that you’d like to target and tweak it until it’s sounding better.

What are the 4 characteristics of mixture?

Characteristics of a mixture:

  • The mixture has no fixed composition.
  • To form mixture energy is neither produced nor evolved.
  • The mixture has no fixed melting points and boiling points.
  • Mixture retains the properties of its components.
  • Components of mixtures can be separated by simple physical methods.

How do you know if a reaction is unbalanced?

If the numbers of each type of atom are different on the two sides of a chemical equation, then the equation is unbalanced, and it cannot correctly describe what happens during the reaction. To proceed, the equation must first be balanced.

What makes an experiment balanced?

Quote from video:

How do you reduce mud in a mix?

Quote from video: And we're just gonna lower it down about. You know 5 or 6 dB. So don't be too shy. But don't go too crazy with it.

Why do my mixes sound muffled?

Mixes usually sound muffled due to a build-up of frequencies in the lower mid-range, between 200-500Hz. Applying a narrow EQ cut to selected tracks in this range can help. Using a High Pass Filter (HPF) on instruments that have little presence at these frequencies can also help increase clarity.

How do you EQ muddy sound?

The easiest way to use an EQ to fix muddy vocals is to use a low-cut filter and high-pass everything below a certain frequency, typically around 90-100Hz. This will help reduce proximity effect and any boominess in the performer’s voice.

Where is muddiness in a mix?

A muddy mix is when the lower mids of your mix get cluttered up and all the bottom end seems to lack definition. You can’t hear the differences between the bass drum and the bass guitar because they take up the same space, resulting in a cluttered mix.

How quiet should my mix be?

A good rule of thumb is that your volume level should be low enough to allow for conversation without raising your voice. If you need to shout to be heard, your monitors are too loud.

What dB should a mix down?

So long as your mixes give the mastering engineer room to work, and cover your noise floor, then you’re in a good range. I recommend mixing at -23 dB LUFS, or having your peaks be between -18dB and -3dB.