Subpatterns within CAGED guitar patterns

Subpatterns within CAGED Guitar Patterns

The CAGED System and Movable Scales

The CAGED system is a popular and effective method used by guitarists to learn and navigate movable scales on the guitar. It provides a framework that allows musicians to visualize scales across the fretboard by associating them with familiar open chord shapes. The system derives its name from the five basic open chord shapes of C, A, G, E, and D, which serve as anchor points for playing scales in different positions.

Discovering Subpatterns

When examining the CAGED scale diagrams, an interesting observation arises when considering two consecutive strings as a pair. Within these pairs, five distinct subpatterns can be identified. These subpatterns represent specific segments of the scale and provide valuable insights into the structure and organization of the scales within the CAGED system.

Describing Scale Diagrams with Subpatterns

Each of the five CAGED scale diagrams can be described using three subpatterns. These subpatterns define particular sections of the scale and enable guitarists to navigate the fretboard more efficiently. By recognizing and understanding these subpatterns, guitarists can develop a deeper understanding of how the scales are constructed and how they can be applied in different musical contexts.

Shifting Subpatterns

One remarkable aspect of these subpatterns is their flexibility. In some cases, they can be shifted up the neck by one fret, allowing guitarists to play the same subpatterns in different positions. This flexibility expands the range of possibilities for playing scales, enabling guitarists to explore new melodic ideas and create unique musical phrases.

Consistent Solfege Note Names

A notable feature of the subpatterns within the CAGED system is that the solfege note names remain consistent across all of them. This means that the relationship between the subpatterns and the overall scale structure remains the same, regardless of the specific position on the fretboard. This consistency can serve as a valuable aid in memorizing the subpatterns and understanding their connection to the larger scale.

Further Research and Resources

While these subpatterns within the CAGED system may not have specific names, it is possible that further literature or resources exist on this topic. Guitar instructional materials, music theory books, and online resources can offer additional insights and perspectives on these subpatterns. Exploring these resources can provide guitarists with a deeper understanding of the CAGED system and its subpatterns, enhancing their overall proficiency and musical creativity.

Conclusion

The CAGED system, with its subpatterns, offers guitarists a powerful tool for understanding and navigating scales on the guitar fretboard. By recognizing the subpatterns within the CAGED scale diagrams, guitarists can unlock new possibilities for improvisation, expand their musical vocabulary, and gain a deeper understanding of the instrument. Embracing the subpatterns within the CAGED system opens up a world of creativity and musical exploration.

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FAQs

What is the CAGED system and how does it relate to guitar scales?

The CAGED system is a method used by guitarists to learn movable scales on the instrument. It associates scales with five basic open chord shapes (C, A, G, E, and D) to provide a visual framework for understanding and navigating scales across the fretboard.

How many subpatterns are found within the CAGED scale diagrams?

Within the CAGED scale diagrams, there are five distinct subpatterns that emerge when considering two consecutive strings as a pair. These subpatterns represent specific segments of the scale and offer additional insights into the structure and organization of the scales.

How can the scale diagrams be described using subpatterns?



Each of the five CAGED scale diagrams can be described using three subpatterns. These subpatterns define particular sections of the scale and assist guitarists in navigating the fretboard more efficiently.

Can the subpatterns be shifted up the neck?

Yes, in some cases, the subpatterns can be shifted up the neck by one fret. This allows guitarists to play the same subpatterns in different positions, expanding their improvisational possibilities and adding versatility to their playing.

How do the solfege note names relate to the subpatterns?

The solfege note names remain consistent across all the subpatterns within the CAGED system. This consistency aids in memorizing the subpatterns and understanding their relation to the overall scale structure.

Do the subpatterns within the CAGED system have specific names?

The subpatterns within the CAGED system may not have specific names widely recognized in the guitar community. However, further literature or resources on this topic may exist, providing additional insights and perspectives.

How can understanding subpatterns enhance guitar playing?



Recognizing and understanding the subpatterns within the CAGED system can enhance a guitarist’s ability to navigate the fretboard, improvise more effectively, and create unique musical phrases. It expands their understanding of scale structures and opens up new possibilities for musical expression.

Where can I find more information about the CAGED system and its subpatterns?

To explore more in-depth knowledge about the CAGED system and its subpatterns, it is recommended to refer to guitar instructional materials, music theory books, and online resources dedicated to the topic. These resources can provide valuable insights and further expand your understanding and proficiency in utilizing the CAGED system.

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