Missing I (1st) chord in the progression: an example

Missing I (1st) Chord in the Progression: An Example

Introduction

Chord progressions are fundamental elements in music composition, providing the harmonic foundation and establishing the overall mood of a song. The conventional approach to chord progressions often involves starting with the I (1st) chord, which serves as the tonic and creates a sense of resolution. However, there are instances where the I chord is intentionally missing from the progression, offering a unique and intriguing musical experience. In this article, we will explore an example of a song that deviates from the traditional I chord progression and examine its implications in music theory and composition.

Example Song: “Autumn Leaves”

One notable example of a song that starts without the I chord is “Autumn Leaves,” a jazz standard composed by Joseph Kosma with lyrics by Johnny Mercer. This timeless composition presents a captivating progression that deviates from the traditional tonal structure.

Progression Analysis

“Autumn Leaves” is written in the key of G Major. The song opens with a ii-7 V7 IMaj7 progression, commonly known as the ii-V-I progression, which is a fundamental harmonic sequence in jazz music. However, what makes “Autumn Leaves” unique is that the I chord in G Major does not appear until the end of the A section(s).

The opening chords of “Autumn Leaves” are as follows:
Em7 – A7 – Dmaj7 – Dmaj7

In this progression, the I chord in G Major is technically present but is obscured by appearing in the first inversion (Dmaj7). The absence of the root position I chord in the initial section of the song creates tension and a sense of anticipation for its eventual resolution.

Implications in Music Theory and Composition

The omission of the I chord in “Autumn Leaves” demonstrates the flexibility and creativity that composers and songwriters have in crafting chord progressions. By deviating from the traditional I chord progression, musicians can introduce new harmonic colors and evoke different emotions in their compositions.

In the case of “Autumn Leaves,” the delayed resolution to the I chord adds a sense of longing and anticipation, enhancing the melancholic and introspective mood of the song. This departure from the conventional progression contributes to its enduring popularity and recognition as a jazz standard.

Conclusion

The example of “Autumn Leaves” illustrates that deviating from the traditional I chord progression can result in compelling musical compositions. By starting without the I chord and using alternate chord voicings, composers can create tension, anticipation, and unique emotional landscapes in their music. Understanding and exploring such variations in chord progressions opens up exciting possibilities for musical expression and composition.

Sources

  1. Music Stack Exchange. “Missing I (1st) chord in the progression: an example.” [Online]. Available: https://music.stackexchange.com/questions/110084/missing-i-1st-chord-in-the-progression-an-example.
  2. Jazz Guitar Forum. “Getting Lost in the Chord Progression.” [Online]. Available: https://www.jazzguitar.be/forum/improvisation/65846-getting-lost-chord-progression.html.
  3. Guitar.com. “Music Composition for Beginners 3: The ‘I-IV-V’ chord progression.” [Online]. Available: https://guitar.com/lessons/music-composition-for-beginners-1-the-i-iv-v-chord-progression/.

FAQs

What does it mean when the I (1st) chord is missing in a chord progression?

When the I chord is missing in a chord progression, it means that the traditional tonic chord, which provides a sense of resolution, is not present at the beginning or in a prominent position within the progression.

Why would a composer choose to omit the I chord in a progression?

A composer may choose to omit the I chord in a progression to create tension, anticipation, or a unique musical experience. By deviating from the conventional I chord progression, composers can introduce different harmonic colors and evoke specific emotions in their compositions.

Can you provide an example of a song that starts without the I chord?



One example of a song that starts without the I chord is “Autumn Leaves.” The opening chords of “Autumn Leaves” include the ii-7, V7, and IMaj7 chords, without the traditional I chord appearing until later in the song.

Does the absence of the I chord affect the overall tonality of a song?

Yes, the absence of the I chord can have an impact on the tonality of a song. The I chord is typically associated with the tonic and helps establish the key. When it is missing or delayed, the tonality may feel less resolved or temporarily ambiguous until the I chord finally appears.

How does the omission of the I chord contribute to the musical tension and anticipation?

By omitting the I chord, a composer can create a sense of tension and anticipation as the listener awaits the resolution that the I chord typically provides. This can add emotional depth and interest to the composition.

Are there other ways to create tension and anticipation in a chord progression?

Yes, besides omitting the I chord, composers can use various techniques to create tension and anticipation in a chord progression. These include using substitute chords, altered chords, modal interchange, and rhythmic or melodic devices that introduce dissonance or unexpected harmonic changes.

Can I experiment with omitting the I chord in my own compositions?



Absolutely! Experimenting with chord progressions and deviating from the traditional I chord can lead to unique and interesting musical ideas. It’s an opportunity to explore different sounds, emotions, and tonalities in your compositions.

How can I incorporate the concept of missing I chord in my improvisation or songwriting?

To incorporate the concept of missing I chord in your improvisation or songwriting, you can start by analyzing existing songs that deviate from the traditional progression. Study how the absence of the I chord affects the overall mood and tonality of the piece. Then, experiment with different chord substitutions, inversions, and voicings to create your own compositions or improvisations that feature a delayed or obscured I chord.