Primary Composers of the Empfindsamkeit Style

The Empfindsamkeit style, also known as the “sensitive style,” was a significant musical movement that emerged in northern Germany during the mid-18th century. This style emphasized the expression of deeply felt emotions within a musical work and sought to create an atmosphere of simplicity and naturalness. Several composers played a crucial role in defining and shaping the Empfindsamkeit style, leaving a lasting impact on the musical landscape of the time. Let’s explore the primary composers associated with this influential style.

Carl Philipp Emanuel Bach

Carl Philipp Emanuel Bach, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach, was a prominent figure in the Empfindsamkeit style. Born in 1714, he became one of the most significant representatives of this musical movement. Bach’s compositions were characterized by their emotional depth and expressive character. He achieved this through the use of rapid mood changes and well-defined themes. His works, such as the “Sonata in A minor,” showcase the traits of the Empfindsamkeit style.

Johann Joachim Quantz

Johann Joachim Quantz, born in 1697, was a German flutist, composer, and flute maker. He contributed significantly to flute technique and composition during the 18th century. Quantz was also associated with the Empfindsamkeit style and integrated its expressive elements into his works. His compositions, like the “Flute Concerto in G major,” reflected the emotional intensity and contrasting moods that were characteristic of this style.

Wilhelm Friedemann Bach

Wilhelm Friedemann Bach, the eldest son of Johann Sebastian Bach, was a German composer born in 1710. He was considered a representative of the Empfindsamkeit style and made significant contributions to its development. Bach’s keyboard compositions, such as his “Fantasia in C minor,” showcased the expressive and emotional qualities of this style. His works were known for employing well-defined themes and juxtaposing contrasting moods, evoking a range of feelings in the listener.

Johann Abraham Peter Schulz

Johann Abraham Peter Schulz, born in 1747, was a German composer and conductor associated with the Empfindsamkeit style. He was known for his vocal compositions, including lieder and choral works. Schulz’s compositions exemplified the emotional depth and sensitivity characteristic of the Empfindsamkeit style. His well-known work, “Die Forelle” (“The Trout”), displayed the emotional expressiveness and lyrical qualities that were hallmarks of this style.

Jiří Antonín Benda

Jiří Antonín Benda, a Czech composer and violinist born in 1722, was regarded as one of the few outstanding masters of the Empfindsamkeit style. Benda’s compositions were highly expressive and emotional, capturing the essence of this musical movement. His works, such as the “Violin Concerto in D major,” demonstrated his ability to evoke deep feelings and create intense musical experiences through the Empfindsamkeit style.

In conclusion, the Empfindsamkeit style in music was shaped by the contributions of several notable composers. Carl Philipp Emanuel Bach, Johann Joachim Quantz, Wilhelm Friedemann Bach, Johann Abraham Peter Schulz, and Jiří Antonín Benda were among the primary composers associated with this style. Their works exemplified the expressive and emotional qualities of the Empfindsamkeit style, making substantial contributions to its development and leaving a lasting impact on the musical landscape of the 18th century.

Sources:

  1. “Empfindsamer Stil.” In Encyclopædia Britannica. Retrieved from https://www.britannica.com/art/empfindsamer-Stil.
  2. “Empfindsamkeit (music).” In Wikipedia. Retrieved from https://en.wikipedia.org/wiki/Empfindsamkeit_(music).
  3. Additional information and facts from the sources cited above.

FAQs

Who were the primary composers associated with the Empfindsamkeit style?

The primary composers associated with the Empfindsamkeit style were Carl Philipp Emanuel Bach, Johann Joachim Quantz, Wilhelm Friedemann Bach, Johann Abraham Peter Schulz, and Jiří Antonín Benda.

What contributions did Carl Philipp Emanuel Bach make to the Empfindsamkeit style?

Carl Philipp Emanuel Bach, the son of Johann Sebastian Bach, was one of the most significant representatives of the Empfindsamkeit style. He composed works characterized by emotional depth and expressive character, achieved through rapid changes of mood and well-defined themes.

How did Johann Joachim Quantz contribute to the Empfindsamkeit style?



Johann Joachim Quantz, a German flutist and composer, made notable contributions to the Empfindsamkeit style. He integrated expressive elements into his compositions and reflected the emotional intensity and contrasting moods that were characteristic of this style.

What was Wilhelm Friedemann Bach’s role in the Empfindsamkeit style?

Wilhelm Friedemann Bach, the eldest son of Johann Sebastian Bach, was considered a representative of the Empfindsamkeit style. He contributed to its development through his keyboard compositions, which showcased expressive and emotional qualities, employing well-defined themes and contrasting moods.

What were Johann Abraham Peter Schulz’s contributions to the Empfindsamkeit style?

Johann Abraham Peter Schulz, a German composer and conductor, was associated with the Empfindsamkeit style. He was known for his vocal compositions, including lieder and choral works, which exemplified the emotional depth and sensitivity characteristic of the style.

Who was Jiří Antonín Benda and how did he contribute to the Empfindsamkeit style?

Jiří Antonín Benda, a Czech composer and violinist, was regarded as one of the few outstanding masters of the Empfindsamkeit style. His compositions were highly expressive and emotional, capturing the essence of this musical movement.

What were the defining characteristics of the Empfindsamkeit style?



The Empfindsamkeit style emphasized the expression of deeply felt emotions within a musical work. It sought to create an aura of simplicity and naturalness, with compositions characterized by rapid changes of mood, well-defined themes, and the ability to evoke deep feelings in the listener.

How did the Empfindsamkeit style contribute to the musical landscape of the 18th century?

The Empfindsamkeit style had a significant impact on the musical landscape of the 18th century. It brought forth a new approach to musical expression, focusing on the communication of deeply felt emotions. The works of the primary composers associated with this style played a crucial role in shaping the development of music during this period.